EQ also has a creative capacity, like making a reverb output brighter or darker to match the tone of the song. To manage the wide frequency range of guitars, subtractive EQ is essential to remove unnecessary lows and highs that will otherwise muck up the mix when amplified and spread around. I suspect many newcomers may not even realize they can treat ambiences with EQ, dynamics processors, and automation. It was through using return channels in a mixing capacity that my eyes (and ears) were opened to a myriad of musical possibilities. ![]() Since I was self-taught-like many of you-I was simply stuck in my own ways. Treat ambiences before and afterĮarly on, I never considered the option to effect reverbs and delays with further processing. Learn to recreate these sounds with seven tips for using reverb and delay on guitars with Exponential Audio plug-ins. From reggae strokes to stadium rock epicness and blissful tape echo soundscapes, we’ve relied heavily on ambience processors to shape some of the most distinctive guitar sounds in contemporary music. Guitar reverb? Barring distortion, few effects are as essential to mixing guitars as reverb (and delay!).
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